“Last night I Dreamt I went to Manderley again”
Rebecca is a classic that belongs to its own genre, a piece of artistry that will always remain dear to the literary community. The novel still attracts a tremendous fanfare, over 80 years after its release. But it really didn’t begin all too well for the author; she had tossed 15,000 words of her first draft into the wastepaper basket, terming it as a literary miscarriage.
And then it all came together again to emerge as one of the finest literary masterpieces that even went on to break some conventional storytelling rules. It is the only book, or one of the few, wherein the protagonist plays a commanding role – from her grave (nah, it’s much more than a haunted story).
Daphne De Maurier’s narrator is a young unnamed girl, who meets the dashing Maxim De Winter, the owner of the sprawling Manderley. The girl surely has the fruits of her youth and a tinge of innocence. She is romantic and dreamy, but little did she expect her wild hopes to crash at her dreamy new home. She was deceived, her existence marred by a presence of the invisible. It is her vulnerability, her rawness, that gets exploited in the haunted spaces of Manderley. She was being tossed and turned around in what she thought would be her haven.
The late Rebecca, Manderley’s first bride, was a woman full of life and adventure. She created the house, transforming its dull and mundane existence. To the public eye, she was an epitome of perfection and splendid beauty.
Manderley, fashioned after Menabilly, where du Maurier lived for decades — had a dominant presence among the other characters, a man, two women and the formidable housekeeper, Mrs Danvers. – Alfred Hitchcock, Director of the Movie Rebecca
It is a book that is coated with a unique charm and innocence at the beginning, but you know what’s coming as a reader. It talks of a yearning towards that past, of a woman who was haunted by a memory that wasn’t hers.
It has an intrigue and suspense that only the best of books can provide. There was an eerie sense of unease that pervaded this novel. Despite being nearly a century old, Rebecca continues to haunt readers and movie-goers alike. It’s an experience that will remain in the darker recesses of your mind.
There are many ways to read the original, One way is to accept it as a “convention-ridden love story, in which the good woman triumphs over the bad by winning a man’s love”; another way is to see its imaginative links, with Charlotte Brontë’s Jane Eyre for example, and its “mythic resonance and psychological truth.” – Sally Beuman, English Journalist and Writer